Year-Long course taught by industry professionals
Our year long hands-on course, provides advanced filmmaking college level students, the education necessary to shoot on motion picture film in our modern world. Our hands-on approach, puts the mechanics of filmmaking in the hands of our students. This very tactile approach, keeps them entertained and excited, as they learn. Our hands-on History program, teaches students the history of filmmaking, through a unique hands on experience where students are allowed to use antique equipment to make short films. Students will learn not only through instruction, but through experimentation based on what they've learned. Where the classroom is focused on small-group learning, students will also get the opportunity to work independently of those groups on their final "thesis" projects if they so choose. By the end of this course, students will have an in-depth knowledge filmmaking on motion picture film. They'll also be able to take their final "thesis" film and use that as a staring position for their filmmaking future.
Weekly Course Syllabus
Introduction to how film works and the history of the format
The art of cinematography part I (Lighting/Film Stock)
The art of cinematography part 2 (Lensing/Composition)
First class shoot (90 second on 16mm black and white Arri/Aaton)
Introduction to film cutting and projection
The history of color film and prepping for a color shoot
Second class shoot (90 second commercial shoot on Color Negative Arri/Aaton)
The photochemical process
Sound on film and sound recording
Screenplay writing for motion picture film
Planning your shoot and the job's on a film set
Third class group shoot (3 minute color or black and white shoot Arri/Aaton)
Third class shoot editing
Group viewing of short films projected and discussed
Holiday Break
Hands-on History seminar 1920's (thesis film assignments handed out)
Hands-on History seminar 1940's (thesis film discussions)
Top cinematographer guest apperance and discussion
Documentary filmmaking on motion picture film
Advanced lighting and gaffing techniques
Fourth class shoot (3 minutes on 35mm Arri/Aaton)
Open lab for students to break-down film and edit
The Negative cut and conforming to make a print
Presenting 35mm short and discussing students thesis projects
Equipment checkout and return class (students will take equipment home to shoot thesis)
Hands-on History seminar 1960's
Hands-on History seminar 1980's
Modern filmmaking practices; the great film vs digital debate
Open Lab for equipent return, questions and editing
Open Lab for questions and editing
Fifth class shoot (Class inverviews shot by students Arri/Aaton)
Reviewing Thesis films as a class
Final viewing of all class shoots during the year and final grading